Alice Cooper - From The Inside Tour (1979)

Tracklist:
01 - Welcome to my nightmare
02 - No more Mr. Nice guy
03 - Billion dollar babies
04 - Eighteen
05 - Under my wheels
06 - I never cry
07 - Devils food - Black widow
08 - You & me
09 - Only women bleed
10 - Go to hell
11 - How you gonna see me now
12 - School´s out

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Black Sabbath - Black Sabbath (1970)

he album cover features a depiction of Mapledurham Watermill, situated on the River Thames in Oxfordshire, England. Standing in front of the watermill is a figure dressed in black robes. This is perhaps an allusion to the lyrics of their eponymous song: "A figure in black, which points at me". On the original release, the inner gatefold sleeve featured an inverted cross with a poem written inside of it. Vertigo, the band's record label, was allegedly responsible for adding the cross. The band was upset when they discovered this, as it fuelled allegations that they were Satanists or Occultists
In August 1969 the band, who were then known as Earth, decided to change their name to Black Sabbath. Around the same time they recorded and distributed a demo version of their eponymous song. In December 1969 they recorded and released their debut single, "Evil Woman". In January 1970, the band recorded and mixed the remaining seven songs that would appear on their debut album. The songs were recorded "live" and the entire process took just three days. Guitarist Tony Iommi recalls recording live: "We thought 'We have two days to do it and one of the days is mixing.' So we played live. Ozzy was singing at the same time, we just put him in a separate booth and off we went. We never had a second run of most of the stuff."

Tracklist:
01 Black Sabbath
02 The Wizard
03 Behind The Wall Of Sleep
04 N. I. B
05 Evil Woman
06 Sleeping Village
07 The Warning
08 Wicked World

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Savoy Brown - Shake Down

Originally known as the Savoy Brown Blues Band, their 1969 single “Train to Nowhere” (with singer Chris Youlden), was viewed by many as the last gasp of the blues scene in Great Britain. Although Savoy Brown never reached much acclaim in their home nation, they developed a loyal core following in the United States, due to songs such as “I’m Tired” (from their album, A Step Further), a driving, melodic song. They were one of the bands that UK Decca (US London/Parrot) stuck with through the lean times until they started selling records (it took 4 or 5 albums until they started to sell in the US). In the late 1960s and 1970s, the band managed to penetrate the Billboard Hot 100. Superstardom perpetually evaded them, perhaps in part because of their frequent lineup changes, but despite that, Hellbound Train was a big album for them in the US.

While the band is still active today, only Kim Simmonds has stayed since the beginning. Guitarist “Lonesome” Dave Peverett, bassist Tony Stevens, and drummer Roger Earl went on to form Foghat. Original member and harmonica player, John O’Leary, is still active on the British blues circuit with The John O’Leary Band. Savoy Brown’s first album, Shake Down, featured lead vocalist Bryce Portius. Portius was one of the first black blues musicians to be a part of a British rock band. Another singer, Dave Walker, would later join Fleetwood Mac and Black Sabbath. Their bassists included Andy Pyle, later with The Kinks, and Andy Sylvester, also with Chicken Shack.

Tracklist:
01. Ain't Superstitious
02. Let Me Love You Baby
03. Black Night
04. High Rise
05. Rock Me Baby
06. I Smell Trouble
07. Pretty Woman
08. Little Girl
09. Door Mouse Rides the Rails
10. It's All My Fault
11. Shake 'Em on Down

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Crosby Stills and Nash - 1969

The album was a very strong debut for the band, instantly lifting them to stardom. Along with the Band's Music From Big Pink of the previous year, it helped initiate a sea change in popular music away from the ruling late sixties aesthetic of bands playing blues-based rock music on loud guitars. Crosby, Stills & Nash presented a new wrinkle in building upon rock's roots, utilizing folk, blues, and even jazz without specifically sounding like mere duplication. Not only blending voices, the three meshed their differing strengths, Crosby for social commentary and atmospheric mood pieces, Stills for his diverse musical skills and for folding folk and country elements subtly into complex rock structures, and Nash for his radio-friendly pop melodies, to create an amalgam of broad appeal. Eventually going multi-platinum, in addition to the abovementioned singles, Crosby, Stills & Nash features some of their best known songs in "Wooden Ships" and "Helplessly Hoping." "Suite: Judy Blue Eyes" was composed for Judy Collins, and "Long Time Gone" was a response to the assassination of Robert F. Kennedy.

This album proved very influential on many levels to the dominant popular music scene in America for much of the 1970s. The success of the album generated gravitas for the group within the industry, and galvanized interest in signing like acts, many of whom came under management and representation by the CSN team of Elliot Roberts and David Geffen. Strong sales, combined with the group's emphasis on personal confession in its writing, paved the way for the success of the singer-songwriter movement of the early seventies. Their utilization of personal events in their material without resorting to subterfuge, their talents in vocal harmony, their cultivation of painstaking studio craft, as well as the Laurel Canyon ethos that surrounded the group and their associates, established an aesthetic for a number of acts that came to define the "California" sound of the ensuing decade, including The Eagles, Jackson Browne, post-1974 Fleetwood Mac, and others.

Tracklist:
1. Suite: Judy Blue Eyes
2. Marrakesh Express
3. Guinnevere
4. You Don’t Have To Cry
5. Pre-Road Downs
6. Wooden Ships
7. Lady Of The Island
8. Helplessly Hoping
9. Long Time Gone
10. 49 Bye-Byes

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